Dubmission Records

About

Dubmission Records have blazed a trail of warped woofers since the mid 90’s, when they launched with a trio of bass heavy dubwise compilations. In 1996, they kicked off with the Mashing Up Creation album, which featured tracks by Doof, Adelphi and http://soundcloud.com/andyguthrie amongst others. It was reviewed favourably by The Sunday Times, DJ and Sleaze Nation – the latter describing it as “carrying on where original dub hijackers The Orb left off!” It was swiftly followed by Dubbed On Planet Skunk, with stand out tracks from http://soundcloud.com/zion-train, Quirk and Alpha & Omega. The third instalment took 2 years to put together – More Bass Than Space was a double album which represented every spectrum of the modern dub scene, with tunes from artists as diverse as Hallucinogen, http://soundcloud.com/woob, http://soundcloud.com/solarquest, Singers&Players and Tribal Drift. It sold well all over the world, and led to tours of Australia, New Zealand, Mexico and USA. From 2001-5, the Dubmission crew concentrated more on artist management and event promotion than releasing records. However after hearing Ape to Angel by http://soundcloud.com/pitchblacknz, they decided to bring Dubmission out of “retirement”, as it represented everything and more that the label had tried to achieve. Since then the label has gone from strength to strength, with several more releases from http://soundcloud.com/pitchblacknz (Frequencies Fall, Rude Mechanicals, Rhythm, Sound & Movement plus their first two albums, Futureproof and Electronomicon), as well as Seen, Heard and Felt by http://soundcloud.com/international-observer, Make Animals Happy by http://soundcloud.com/warptechnique, Third Ear Audio’s Third Ear Audio and Paddy Free’s Karekare. The crew has also found time to compile two smoky collections for the Japanese label, Wakyo: On A Dubmission Volumes One and Two. In 2010, to celebrate 15 years of business, they released 15 titles, including new EPs by http://soundcloud.com/